annathepiper: (Musical Jack)
Put up a fiddle practice report over on my Wordpress blog, here. Notably, I made it a multi-instrument practice today, with both fiddle and winds, because I decided I needed to work on arpeggios not only on the fiddle, but also on the winds, which are the things I'm way more likely to actually play at a session right now. Plus, there's bonus exulting over starting to work out "Ciel d'automne" on the fiddle, since that's arguably one of my top favorite André Brunet tunes.

To this I will add, for those of you who don't follow me on Facebook, and to just put a bit of unique content into this post as well, that our last session was lovely. <3 Dara came with me and noodled around a bit on her own fiddle on the periphery of the circle. But one of my coworkers, Ian, also showed up!

My current team at work is in fact pretty musical. There are two of us who are in actively performing pro bands. There's a third one of us who is more into techno and can do drum beats on suitable equipment. And there's the aforementioned Ian, who is a way better fiddle player than I am, in that he can actually play. ;D

And they'd all been hearing me geek out about Quebecois trad for a while now. But then Ian went to this year's Valley of the Moon, where he got to meet and learn from André, woo! And he came back from that to tell me "so right then about this Quebecois session you go to", because André is awesome like that. So I handed Ian ALL THE DATA, a number of the tunes we are fond of playing, and the appropriate address for this month's session. So Team Venture got to represent. It was great!
annathepiper: (Aubrey and Maturin Duet)

Dusty Strings is a dangerous place!

Any acoustically-oriented musician in the Seattle probably already knows this, of course–and I myself have mentioned this before. But it was driven home to me again this past weekend, when Dara and I went in to get her a proper shoulder strap for the Godin A5 fretless bass we finally got her as a late Solstice present!

This is a sexy, sexy bass, you guys. But also surprisingly heavy! So we wanted to make sure to get a strap that could support its weight and not kill Dara’s shoulder while she plays it. We fully expected Dusty Strings would provide, and they did indeed. We got her a nice leather strap with a padded section for her shoulder.

But what I did not expect was that a blackwood whistle made by Sweetheart would leap into my fingers and go “HI I’M COMING HOME WITH YOU.”
One of these, specifically. Dusty Strings had two of them, one in rosewood and one in blackwood, and since I’ve been more interested in whistles lately I started playing around with them while Dara experimented with straps.

The rosewood didn’t seize me. But the blackwood did, with some surprising clarity and power to its tone. And wow, it carried well in Dusty String’s instrument room. I could see this being an instrument I could use to make myself heard in a room full of fiddlers and accordion players. Maybe not a session cannon–I’m not that powerful a player–but perhaps a session pistol.

Here’s some shots of what the instrument looks like, side by side in a couple of them with my carbon fiber whistle for comparison! You can see these pics directly on Flickr here.

And here’s what the instrument sounds like. I did a few snippets of recording with my phone last night, playing around with bits of “Ciel d’Automne”, one of my favorite tunes by André Brunet, who as I’ve said before writes lovely flute-friendly tunes.

First, this is me doing the tune on my small D carbon fiber flute. Because while I am having fun learning whistles, I’m still way more comfortable on a flute. And I wanted to show this for a comparison of tonality as well.

Second, this is my carbon fiber D whistle.

Last but not least, here’s the blackwood whistle! There’s better clarity here than on the carbon fiber whistle–possibly because this thing is a bit heavier as well as being wider in diameter. So the feel of it in my hands is closer to what I expect with a flute, and I don’t have to work as hard to figure out what amount of air to put through it.

So this is all fun and I’m going to greatly look forward to bringing this new whistle to a session!

And if you want to hear “Ciel d’Automne” in all its full La Bottine Souriante glory, go find their album Xième, which was also released in the States under the name Rock and Reel. This has the distinction of being the first André Brunet tune I ever fell in love with, so it’s got a special place in my heart!

Mirrored from angelahighland.com.

annathepiper: (Whistling Bob)

Well, for a small number of bands, anyway! Because apparently this is the week for people to hit my site trying to find out about the instruments played by my favorite groups.

Yesterday somebody came by with the search term ‘what mouth instruments do le vent du nord play?’ Answer: just one! Réjean Brunet plays the mouth harp. You can hear it all over a lot of their songs and you can see it in various live videos. Like this one! The mouth harp shows up in the second song in this vid, “Au bord de la fontaine”, which kicks in around the 6:57 mark. Though I heartily endorse watching the first song, “Lanlaire”, too!

And today’s search term is ‘what flutes do great big sea use’. Answer: none! Séan McCann and Bob Hallett play whistles–Séan plays a small tin whistle but only on “Run Run Away”, and Bob breaks out the big low whistle for things like “Boston and St. John’s”. Behold the whistle in action!

To those of you who came by looking, in case you see this post, I hope this is helpful!

Mirrored from angelahighland.com.

annathepiper: (Whistling Bob)

Well, for a small number of bands, anyway! Because apparently this is the week for people to hit my site trying to find out about the instruments played by my favorite groups.

Yesterday somebody came by with the search term ‘what mouth instruments do le vent du nord play?’ Answer: just one! Réjean Brunet plays the mouth harp. You can hear it all over a lot of their songs and you can see it in various live videos. Like this one! The mouth harp shows up in the second song in this vid, “Au bord de la fontaine”, which kicks in around the 6:57 mark. Though I heartily endorse watching the first song, “Lanlaire”, too!

And today’s search term is ‘what flutes do great big sea use’. Answer: none! Séan McCann and Bob Hallett play whistles–Séan plays a small tin whistle but only on “Run Run Away”, and Bob breaks out the big low whistle for things like “Boston and St. John’s”. Behold the whistle in action!

To those of you who came by looking, in case you see this post, I hope this is helpful!

Mirrored from angelahighland.com.

annathepiper: (Blue Hawaii Relaxing)

This being the writeup + photos post for what Dara and I did in Victoria earlier this month, on Saturday the 5th! Aside from going to see Le Vent du Nord, that is, which of course I covered already. :D

The previous post of this set, for Friday the 5th, is here!

Read the rest of this entry »

Mirrored from angelahighland.com.

annathepiper: (Blue Hawaii Relaxing)

This being the writeup + photos post for what Dara and I did in Victoria earlier this month, on Saturday the 5th! Aside from going to see Le Vent du Nord, that is, which of course I covered already. :D

The previous post of this set, for Friday the 5th, is here!

Read the rest of this entry »

Mirrored from angelahighland.com.

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